We live in a time of riches , as far as fantasy Holy Writ serial go — tons of sprawling saga are being told , by source with a huge diversity of styles . But if you want a living - changing visit to a phantasy world , you ca n’t do any substantially than Ursula K. Le Guin ’s Earthsea . Here are ten reasons Le Guin ’s fantasy serial still rules .

Top prototype : RASOUL SHAFEAZADEH

Le Guin ’s Earthsea booksconsist of a trilogy , issue between 1968 and 1972 , and then two other novels , from 1990 and 2001 , plus a forgetful story collection . you may interpret just the original trilogy , and get a productive , bracing saga — but if you take to read the two later rule book , you ’ll find Le Guin turning a lot of the themes of the original trilogy on their heads . So here ’s why these Quran , even in the midst of so much phantasy amplitude today , are still essential and amazing :

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1 ) They offer three very different takes on the heroic journeying

We live in a prison term when the “ Hero ’s Journey ” rules popular culture , in the wake of Star Wars . But years before George Lucas adjudicate to purify Joseph Campbell into a wide-eyed space Western , Le Guin had already come in up with two edition of the “ rise to heroism ” story , which ferment a peck of your expectations on their heads . First the wizard Ged becomes a grinder chiefly by face his own dark and fixing his own awful error . And then the untried priestess Tenar come into her own , domesticize her identity with Ged ’s helper , and they wind up rescuing each other . Later , in Tehanu , Le Guin give us still a third heroic origin story , of a lady friend who become out to have a unique connexion to dragon .

2 ) They ’re about biography in an Archipelago

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and that ’s something that could be very relevant to a lot of us in the future — many futuristsbelievethat with rising sea levels , coastal cities will become archipelago . So the fact that the Earthsea books take place in an archipelago , made up of hundreds of islands with cities and small town on them , is helpful to those of us seashore - dwellers who want to conceive of our own futures .

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3 ) They ’re about facing up to the reality of demise

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Without devote major spoilers , as the series move on , Le Guin deals more and more with the idea that accepting your own death is one of the keys to sanity and goodness . When one character essay to become immortal , he nearly wrecks the total world — and later , in the final book , we learn that the hereafter itself was n’t what we think it was , in a philosophic masterstroke .

4 ) Le Guin has the best dragonsAs Campbell Award - nominate author Max Gladstone ( Three Parts Dead ) argues over at The Ranting Dragon :

LeGuin ’s dragons set the golden standard . Ancient , impertinent , capricious , beautiful , mighty , and sometimes distressing , she salts Tolkein ’s profoundly westerly tartar — for all his majesty , Smaug the Terrible is a unmortgaged descendant of the “ St. George ” and the metal money of dragon — with element of the Chinese Ubermensch . LeGuin ’s dragons , especially in Earthsea , are selfish and terrifying in a way that Chinese flying dragon do n’t run to be , but their power and wisdom is of a form . Her dragons sharpen to the curiosity and the danger of her world and its conjuration — which is to say , the wonder and risk of the truth , beyond and beneath all shift and equivocation .

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And he argues that Le Guin ’s influence on more recent dragons , including Temeraire , is massively underestimated .

5 ) It ’s like the anti - Narnia

Le Guin create a phantasy populace that appeal to a pile of fans of C.S. Lewis ’ Narnia Bible — it ’s another secondary cosmos where there are phantasy creatures and legends that experience timeless . But in a1982 consultation , Le Guin said “ the prospect of life and decease in Earthsea is not only non - Christian but anti - Christian . ” Le Guin has said the spirituality in Earthsea is largely based on Daoism . So if you want an antidote to the Christian allegories in Narnia and other whole works , Earthsea is a great alternative .

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6 ) It ’s fantasy where you could feel the interaction of culture

And this is one reason why attempts to adjust the series , include Syfy ’s widely criticize miniseries , fail so bad . In Earthsea , Ged and the other wizards are non-white - clamber , and we get to see a draw of their interaction with other chemical group , including the light - skinned Kargs , who have a very different approach to magic and their own set of god . mass bear lip - service to the theme of “ multicultural illusion ” — but this is a serial publication where cultures interact in a meaningful way , much like in Le Guin ’s other great anthropological novel like The Left Hand of Darkness .

7 ) It ’s one of the few series that graciously ages its characters .

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Even just in the original trilogy , Le Guin prove Ged moving past “ number of years ” into convinced adulthood and then into real maturity — but when she returns to the series in Tehanu and The Other Wind , she gives us erstwhile versions of Ged , Tenar and other major characters , who have maturate in real sentence and have very dissimilar perspective than their younger self . But also , Le Guin manages to show us a vernal romance between Ged and Tenar , and then a romance in previous years — which is one of the great pleasures of a serial publication that allows its characters not just to grow up , but to grow erstwhile .

  1. A really good system of magic .

Long before Hogwarts , Le Guin give us a great wizard academy on Roke — and there ’s a terrific system of magic in Earthsea , which is base on lie with the true names of thing and using them to shape the world . But also , Le Guin ’s fantastic worldbuilding integrates magic into every part of Earthsea , so that we see statecraft and societal interactions through the lens of magic . The whole matter feels like something you could learn yourself , if you could only make the trip to Roke .

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9 ) A fancy serial publication with a feminist content

When you get to the final two Earthsea novel , Le Guin revisits the patriarchal society she create in the first trilogy , and shew how a lot of the thing we think were branding iron - drape Pentateuch were only convention made by the men in burster . And going hand in hand with the revealing about demise and the nature of deception , these books work the whole of Earthsea into a brilliant narration about discovering that the earth is bigger , and more awe-inspiring , than any hierarchy can encompass .

10 ) It will teach you to become a good individual

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The first book , A Wizard of Earthsea , does n’t just show Ged go through a rite of passage — some student argue that reading this book could serve as a religious rite of enactment for youngster reading it . But with the later script , especially Tehanu , drop a line Laura B. Comoletti and Michael D.C. Drout intheir essay“How They Do thing With Words ” :

Le Guin demonstrates that after the religious rite of passage is fill out the tike must settle into the difficult , frustrative chore of being an adult , fighting the sempiternal flyspeck existential societal battles — be they struggles against sexuality subjugation , unfairness of superpower , illicit domination , and the enforcement of ideology on unwilling mind , or the crises of conscience , deprivation of motivation , and fears of unsuccessful person — that make up grownup liveliness .

In these Word , growing up is n’t something you do until you strive adulthood , and then stop doing — it ’s a process that keep on for the eternal rest of your liveliness .

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Thanks to Annalee , Liz , Michael Ann and Amber for the feedback and suggestion ! Additional author : Ranting Dragon , Tor.com , Children ’s Literature , Planet of the Hats

BooksFantasyUrsula K. Le Guin

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